Porcelain is China's original creation. Water and soil can be kneaded into clay wares. Wood and stone made glazes. After fire tempering, metals display shining colors on genius works. Its popularization has greatly improved people's quality of life and its taste. While bringing convenience to life, it also gives people the enjoyment of beauty.
Porcelain is a symbol of China. From the simplicity of primitive celadon to the peak of Jingdezhen porcelain, porcelain has witnessed the Chinese national spirit of pursuing excellence and making progress. From Xing Kiln white porcelain to blue and white porcelain sold overseas, porcelain has built the most recognizable Chinese fashion.
Porcelain is the image of China. As a cultural messenger, it went through deserts to the north accompanied by camel bells, crossed the oceans by riding the wind and waves, spreading the splendid Chinese civilization to all parts of the world.
The porcelain making technology of Yuan Dynasty occupies an extremely important position in the history of Chinese ceramics, and Jingdezhen has gradually become the porcelain making center of the country. The successful firing of ‘blue and white’ and ‘red in the glaze’ made the porcelain making process perfectly combined with Chinese painting. The underglaze porcelain with strong Chinese style has since developed to a new stage and ushered in a new era of aesthetics.
Blue and white porcelain from the Jingdezhen Kiln in the Ming and Qing Dynasties is beautiful, both elegant and widely popular. Painted porcelain is colorful. Monochrome porcelain is beautiful for its purity, dignified and elegant...
Porcelain was born out of pottery and appeared in the Xia Dynasty. It was primitive celadon in the early days and matured in the Eastern Han Dynasty. During the Three Kingdoms, Jin Dynasty, Southern and Northern Dynasties, the production of celadon in the south advanced by leaps and bounds, and the glazed pottery in the north was unique. During the Sui and Tang Dynasties, white porcelain emerged as a new force, forming a parallel existence of green porcelain and white porcelain. During the Song and Yuan Dynasties, major porcelain kilns were spread all over the north and south, with a wide variety of products and exquisite craftsmanship. In addition to the two general systems of green porcelain and white porcelain, black porcelain, blue and white porcelain, and painted porcelain were also widely popular among the people, forming a colorful and prosperous scene.
Shanxi, the key area in the east of the Yellow River, has a prosperous culture and profound heritage. Since the Han and Wei Dynasties, Shanxi was a significant region for the exchanges between China and the West, ethnic integration, economic prosperity, and the collision and integration of farming and grassland civilizations. Shanxi ceramics are rooted in a profound historical and cultural fertile soil, and are compatible in the alternating cycle of stability and migration, conflict and reconstruction. At the same time, there is no lack of pioneering contributions, writing a strong and colorful stroke in the history of Chinese ceramics.
Sanjin ceramic is historical and in simple, unrestrained style. It integrates Shanxi, Hebei, Henan, and Shaanxi ceramics, and draws on the strengths of others. It uses unique techniques like pattern scraping , carving, scratching and printing.
